For most, what you find on the A7 III will suffice, though 60p would certainly have been a really nice addition. fluorescent light (cool white), peripheral shading correction, In my side by side video comparison, I would probably not have noticed a difference had I not known there was supposed to be one. Cancel Unsubscribe. Standard, histogram display, The in-camera stabilization is nice, the lens options Sony has for their full frame E-mount are substantial, and the A7 III is well-priced considering what it can do. May 29, 2018 permalink. On the GH5, we don't get a full frame sensor, but we do get a great many more options in 4K. moisture-resistant, AC power adapter, The Sony A7 III is no doubt enticing to video shooters because of its price point: at just $2000 it shoots 4K video in a full frame format, should have good ISO performance, and comes with S-Log included. Dolby Digital Stereo Creator, It's gotten to a point where I have to remember to look down at the screen and actively watch the recording start and stop, which when shooting in documentary situations (my bread and butter) as a lone videographer is a real stress-inducer. I would say that the best quality footage will be captured up to ISO 6400, but you shouldn't feel tethered to that ISO as your maximum. cloudy, Enjoy its outstanding imaging capability and high-speed performance. Toy camera, eyepiece cover, In full HD 1080p, the Sony has several more options. white balance bracketing, Memory Stick PRO Duo card, fluorescent light (daylight white), Dynamic Range Optimizer, This isn't a complaint that is aimed solely at a video shooter's experience, as photographers are also starting to complain about Sony's rats nest of a menu system. Intelligent AUTO (iAUTO), ISO is, for almost all video shooters these days, a huge player in the decision-making process. Specs-wise, the A7III absolutely dwarfs the A7SII thanks to its updated design and expanded feature sets. The 1DX II, the 5D Mark IV, and even the GH4 had this same problem. My experience is pretty heavily colored by my time with both Canon and Panasonic cameras, but the way the user must interact with the Sony is often frustrating compared to these other competitors. It's really quite wonderful that there are so many great video camera options that we can nitpick the way I am here. built-in speaker, This is hugely advantageous for some locked-off camera situations where you don't want to see the sensor attempting to compensate for vibrations that would result in "liquid-like" sensor movement in the corners. Clear, Footage is less clear, the details aren't as crisp, colors are more muddled, and it's overall lesser than what the 4K is capable. First of all, the sensor on your A7 has a 3:2 aspect ratio, but video works with a 16:9 aspect ratio. 3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM. Sunset, digital image rotation, Sony. Posterization, If you are interested in video, the choice from Sony can be quite overwhelming. So how does the A7 III do? ISO 50, center-weighted, SDHC Memory Card, That said you can turn off the IBIS if you don't want it. spot, aperture-priority, NFC (Near Field Communication), Wireless Image Transfer, It is considerably cheaper than a number of other full frame camera on the market, and comes with better specifications (say, compared to the Canon 6D II or 5D Mark IV). Night Scene, RAW + JPEG, Dolby Digital AC-3 (2 channel), partial color, automatic, Though it has some crazy video specifications like full frame capture with no pixel binning or line skipping and the ability to oversample when using Super 35 mode, these benefits aren't immediately noticeable due to the compression for SD cards. shade, 66: K3iii: Have Pentax lost the plot? That should be saying something. Pop Color, An entirely renewed image sensor and image processing system further enhance image quality. Sony. contrast control, XAVC S, JPEG, In the end, that's my only gripe in terms of the A7 III's 4K offerings. Really, really well actually. It's by no means bad, and I'm glad it is included when faced with the alternative of not having it at all. It's doable from what I'm seeing and reading on the net. To begin with, we must say the Sony a7 III has great image quality. Retro, Panasonic's stabilization absorbs footfalls far better when compared side by side with the A7 III, and I've found that the Sony sensor will also succumb to "wobbling" when hit with something like extreme wind (the Panasonic can also have this problem). Most of its mirrorless interchangeable lens cameras feature high quality 4K video, lots of image control and excellent performance in terms of dynamic range and high ISOs. It is built around a new version of the 24.2-megapixel Exmor R™ CMOS sensor with BSI (Back-Illuminated) technology. It lacks a quick menu to give you immediate access to frame rate options or picture profiles. Style Box, 4. To Sony's credit, coming from the A7S II and looking at the A7 III is like breathing a gasp of oxygen after holding your breath underwater for longer than you like. Let's start there. Reviews Beyond the studio tests Feature Articles and Videos see how we see Sample Galleries real world performance Field Test Videos Throwback Thursday Classic Cameras from Days Past What's that Noise? Similarly, though S-Log 2 and S-Log 3 are included with the A7 III, good luck figuring out which of the profiles is which without consulting the manual, or Googling. XAVC S - 1920 x 1080 p - 24 fps - 50Mbps. Sony a7 II Specs. I've also wasted space thinking I've stopped recording when, in fact, the camera continues to capture footage of my feet or jacket pocket. As expected, Sony has released the a7S III, its third-generation video-focused full-frame mirrorless camera. At least on the A7 III, it's not a huge dip in quality, and the 120p footage once slowed, looks pretty good. Discover Sony’s a7 III / α7 III camera with 35mm full-frame CMOS image sensor and BIONZ X. Discover the α7S II E-mount Camera with Full-Frame Sensor from Sony & explore all the Cameras features. Testing out the Sony A7iii on the RoninS with a Tamron 28-75. A ... Video specifications. remote control via mobile devices, So when you record movies, the camera doesn’t use the upper and lower parts of the sensor. aspherical lens, remote live view, DPOF support, So while the Sony isn't the best IBIS money can buy, it's more versatile than what in my opinion is the market-leading Panasonic GH5. It is incredible just how good your average mirrorless or DSLR camera has gotten at video. fluorescent light (daylight), Sensor Format: 35mm. XAVC S - 1920 x 1080 p - 30 fps - 16Mbps. Deep, You can select between full-frame or Super35/APS-C mode on either camera, but the results are different as we’ll see below. 24.2MP 35-mm full-frame CMOS sensor with back-illuminated design. Now, does every filmmaker need the laundry list of options the GH5 offers? Shop By Price. But if you're already shooting Sony and looking for a B-camera, the A7 III more than fits the bill. Aside from having a tendency to crush the blacks, the A7 III footage looks really, really good. Serienaufnahmen für mehr Sicherheit When you look at the high quality 4K video footage out of the A7 III, you're going to be happy. An entirely renewed image sensor and image processing system further enhance image quality. Sony started their amazing new range of camera releases with the Sony a9 camera release in May 2017. built-in help guide, high ISO speed noise reduction, The most video-centric camera in the A7 range is without a doubt the A7s II. Memory Stick PRO-HG Duo, First, the menu is not good. Sure, there is visible noise and the edges of objects in frame are not as distinct as they were at, say, ISO 6400, but they're absolutely still usable clips. Anti-Dust coating, It's not that I don't already have a ton of other things to think about, and remembering to make sure my camera is recording even after I press the record button down as far as it goes is... not fun. fluorescent, I do NOT shoot video!! takes photos while movie recording, Sony NP-FZ100 lithium ion - manufacturer-specific, 1 x Sony NP-FZ100 Li-ion rechargeable battery - 2280 mAh (included), 10 frames per second, Though I wouldn't say all clips past ISO 6400 are "sharp" or "crisp," footage at just about every ISO is going to be considered usable by a wide range of shooters. With 12MP and 24MP sensors, your Sony does what we call a full pixel readout (or oversampling). 23.98/25/29.97 fps (100 Mb/s XAVC S via H.264), 23.98/25/29.97 fps (60 Mb/s XAVC S via H.264), 23.98/25/29.97/50/59.94 fps (50 Mb/s XAVC S via H.264). Even at max video ISO of 102,400, the A7 III looks... pretty darn good. Gift Guide. My last note on the camera's usability is the record button. At least, it doesn't come across to me in a video shooting situation that the in-body image stabilization (IBIS) is market-leading anymore. Then there's that Tamron 100-400!!! Discover Sony’sα7 III camera with 35mm full-frame CMOS image sensor and BIONZ X. Meanwhile, most everyone else seems to know to either put it on the first page or last page of that menu, and to make it at the top or bottom of the list for quick, easy access. splashproof, color temperature control, When I sell it and get the Sony A7iii with the Sony 24-105 f4, I will lighten my load by over 3 lbs. IEEE 802.11b/g/n, No. Sensor size: 855.62mm 2 (35.80mm x 23.90mm) Approximate Pixel Pitch: 5.97 microns. So knowing where the A7 III sits in prospective buyers' minds, let's take a look at what it actually can do when it comes to video and what the shooting experience is like. It seems like there are twice as many things to select in the menu of the A7 III than the A7S II, and just about nothing is in the same location. What's more, you get the excellent 5x slow motion in the 120p, which can look really spectacular. A more likely comparable product would be the Panasonic GH5, since they share the same price point and similar features. Unfortunately, the drop in quality of the 1080p footage compared to the 4K footage is noticeable. In NTSC, the Sony A7 III offers two different 4K frame rates at two different bitrates: 30p and 24p, at 100 MBPS and 60 MBPS. SDXC UHS-II Memory Card, Bluetooth 4.1, highlight point display, Both the A7 III and A7r II can record in 4K up to 30fps and 100Mbps with the XAVC S codec. I'll still have a decent wide lens at 24mm and decent reach at 105.